Miya Yoshida: Transvaluation: Reclaiming Time

Part of the lecture series ‘Aesthetics of Transformation’

Curated by School for Transformation and in collaboration with AIL

"My contribution for Aesthetics of Transformation is an artistic and curatorial inquiry into reimagining the temporality of events – especially, how contemporary artistic practices can reclaim temporalities that have been subjugated by the logic of the attention economy and its entanglement with a new form of capitalism. Time, as a concept, has been continuously redefined at the intersections of philosophy, science (engineering, physics, technology), and industry. In the face of today’s relentless acceleration and optimization of time—often marked by its extractive nature—it is important to recall that the conceptualization, synchronization, and acceleration of temporal experience is situated at the junction of knowledge and power. Recalling the political dimension of time, I propose to explore the idea of “artistic time” as a mode of resistance: incommensurable, autopoietic, and embodied. Time here is not measured but lived, offering space for presence, care, and critical becoming. Inspired by the way sea grapes grow and hold together, my presentation articulates the transvaluation of time through feminist and eco
Miya Yoshida is a professor of artistic research and head of the Zentrum Fokus Forschung. Yoshida previously taught aesthetics, media and cultural theories and art history and studied media and governance at Keio University, SFC, in Japan and completed an MA in art history at Goldsmiths College, University of London in the UK. After completing her master's degree, she continued her doctoral studies and received her PhD from Malmö Art Academy, Lund University and worked as a postdoctoral researcher at Leuphana University Lüneburg, Germany. She is a member of the International Association of Art Critics (AICA), lectures at international conferences and publishes critical texts on contemporary art and aesthetics. Her recent writings and publications can be found in Reformulating the architectures in exhibitions (Exhibition Amnesia, Curatography Issue.10, Taipei National University of the Arts, 2023), Listening to the Stones (Kunsthaus Dresden, 2023), Towards (Im)Measurability of Art and Life (Archive Books, Berlin 2018), Sharing as Caring No. 1-5 (Heidelberger Kunstverein, 2017), among others. She is currently one of the co-curators for the Asian Triennial Manchester 6.

Monika Halkort is assistant professor and head of the Art x Science School for Transformation at the University of Applied Arts. Her research and teaching focus on the political ecology of transformation processes, emphasising, in particular, the role of bio/geo-chemical substances and materials in mediating historical (in)justice and change.

About the series and information about all lectures

School for Transformation
AIL
Portrait of Miya Yoshida
Miya Yoshida, © Martin Nørgaard
Lecture