IMZENTRUM

06/10/2022 IMZENTRUM
ab 18:00 Uhr im Zentrum Fokus Foschung


Seit April 2022 bietet die Reihe „IMZENTRUM“- vorerst monatlich geplant - am Zentrum Fokus Forschung, im für Fritz Wotruba konzipierten Atelier und seinem weitläufigen Garten im Wiener Prater, eine Veranstaltungsbühne zur unmittelbaren Begegnung mit Kunst und Forschung. Nah und in Echtzeit, in Resonanz von sound- und performancekünstlerischen Explorationen können zusammen Impulse entwickelt, erfahren und darauf reagiert werden.

Dieses Mal mit Performances von Anna Lerchbaumer und Danielle Pamp.


Anna Lerchbaumer is an Austrian sound and video artist living in Vienna. In her research and artistic practice, she echoes the relationship between nature and technology. An examination of raw materials (often found or obsolete) and an exploration of the sonic and spacial possibilities they offer. Anna creates multi-media installations and sound performances in which sculptural aspects play an important role. She spans a field between visual art, music and performance. Objects become instruments, balloons become performers and field recordings become installations. She reveals the poetic in the everyday and makes it audible and visible. A change of perspective, a desecration of electrical devices and a possibility to rethink the things surrounding us. https://annalerchbaumer.com/

Danielle Pamp is a painter, graphic artist and performer. She is a Swedish artist, born 1991 in Stockholm, and has been working and living in Vienna since 2015. From 2015-2020 she studied arts at the “Akademie der bildenden Künste” in Vienna as well as in Stockholm. So far she took part in plenty of exhibitions not only in Vienna, such as the Graduation Show “Family Secrets”, “No one told me”, Improper walls and “Memory fragments”, Porgy & Bess, in 2020. https://daniellepamp.weebly.com/

10/11/22  IMZENTRUM
ab 18:00 Uhr im Zentrum Fokus Foschung


Seit April 2022 bietet die Reihe „IMZENTRUM“- vorerst monatlich geplant - am Zentrum Fokus Forschung, im für Fritz Wotruba konzipierten Atelier und seinem weitläufigen Garten im Wiener Prater, eine Veranstaltungsbühne zur unmittelbaren Begegnung mit Kunst und Forschung. Nah und in Echtzeit, in Resonanz von sound- und performancekünstlerischen Explorationen können zusammen Impulse entwickelt, erfahren und darauf reagiert werden.

Dieses Mal mit Performances von Peter Moosgaard und Andreas Trobollowitsch.


Peter Moosgaard lives and works in Vienna, Austria. Graduated in Digital Arts (MA) in 2012, he first studied Philosophy and Linguistics, and later Visual Media at the University of Applied Arts Vienna, Class Prof. Peter Weibel. He is a member of the international activist group WochenKlausur since 2007 and co-founded the experimental publishing house TRAUMAWIEN in 2010. Moosgaard worked as a journalist, janitor, teacher and dj. He has had exhibitions and performances in Istanbul, Stockholm, Athens, Paris, Amsterdam, Berlin, Munich, Brussels, Basel and many more. Currently he is a PhD Candidate at the Academy of Fine Arts in Austria and his research focuses on cargo cults and shanzahi as global, postdigital strategies.

Andreas Trobollowitsch is a Vienna-based musician, composer and sound artist. He works extensively in the fields of electroacoustic composition and improvisation, and has composed for dance, theatre, film and radio. Based on rotation, vibration and feedback systems he uses mainly modified everyday objects, prepared fans and string instruments. Recently he has been focusing primarily on conceptual compositions, sound installations and self-developed musical instruments. Interested in dichotomy of the intellectual and the physical he includes visual aspects, spatiality, movement, and the way that they relate to sound. He has performed and exhibited at European, Asian, North, Central and South American venues and festivals. CD and DVD-releases on “schraum” (Berlin), “Monotype records” (Warsaw) and “Filmarchiv Austria” (Vienna). His critically acclaimed debut solo album “ROHA” was released by the Portuguese record label “cronica records” in 2016.

26/01/23 IMZENTRUM
ab 18:00 Uhr im Zentrum Fokus Foschung


Seit April 2022 bietet die Reihe „IMZENTRUM“- vorerst monatlich geplant - am Zentrum Fokus Forschung, im für Fritz Wotruba konzipierten Atelier und seinem weitläufigen Garten im Wiener Prater, eine Veranstaltungsbühne zur unmittelbaren Begegnung mit Kunst und Forschung. Nah und in Echtzeit, in Resonanz von sound- und performancekünstlerischen Explorationen können zusammen Impulse entwickelt, erfahren und darauf reagiert werden.

Dieses Mal mit Performances von TE-R und Melanie Maar.


TE-R is a variable collective for artistic work. It was founded in 2014 in Vienna by Louise Linsenbolz (DE) and Thomas Wagensommerer (AT). TE-R navigates in and through media spaces. TE-R moves between image, game and code. TE-R likes to collaborate with friends in joint media installations and performances. TE-R works in physical and virtual realities. Performances/Screenings/Installations: Ars Electronica Linz, International Summer Courses for New Music Darmstadt, Tanzquartier Wien, Konzerthaus Wien, Festival des cinémas différents et expérimentaux de Paris, Al Este de Lima, Shed 8 Bregenz, Palais Kabelwerk Wien, ORF RadioKulturhaus, Galerie Zimmermann Kratochwill Graz, Stadssschouwburg Sint-Niklaas, Wien Modern, Hacker Porn Film Festival Rome, Stadtcasino Basel, ARGE Kultur Salzburg, Künstlerhaus 1050 Vienna, Kunstraum Walcheturm Zurich, Gare du nord Basel etc.

Melanie Maar is a New York and Vienna based dance artist from Austria. With her work she opens a space for psycho-sensual introspection, for exploring the interdependency of ‘deathness’, ‘liveness’ and the magical mundane. Her project ‘Line Death Dance’ was a platform for performances, a book and a short film partnered by The Chocolate Factory Theater NY, by ENTKUNSTUNG and the Austrian Cultural Forum NY. Maar was awarded the 2016 Grant to Artists Award from John Cage’s NY Foundation for Contemporary Arts. Her work is the result of collaborations with sound and visual artists like Christian Schröder, Kenta Nagai, Lindsay Packer, Masters of Ceremony and Anthony Braxton. Seeking understanding and methodologies outside of academic structure, Melanie has been creating and leading a study group model for dance artists interested in the art/life process, including a 2 year DIY MFA structure, since 2017. She also co-founded ‘School of Dying’ with Alexandra Kleinheinz in 2021 and is currently completing her studies in Somatic Sexology through the Somatica Institute.